这种濒死的体验让不同姿态的边界变得更为模糊：奔跑、跳舞、出拳，似乎一切身体运动都成为一种强烈的机械反应；挥出的拳，可以变成拉手转圈的前奏；舞蹈则不是绝对自然的柔化的身体，而总是演示着一种力学并蕴含着机械感。

手下人说踢就踢，肱股之臣也完全不顾，简直就是个没有心肝肺的畜生。

他们朝他双手抱拳：多谢将军救援。

她不仅美貌动人，而且兼具异国风情，可是她向往一夫一妻的生活，当她明白我的本性属于游移不定、朝秦暮楚的类型后，偶尔会以激烈的情绪波动表达她的不悦。

A mudslide caused by heavy rain and forest clearance almost sweeps away the cabin at the foot of the wooded slope. But this is not the only upheaval in Nikitas’s life. Shortly after the landslide, a man on an off-road motorbike es racing through the forest and stops in front of Nikitas’s cottage. For the first time in twenty years, Nikitas’s son Johnny stands before him, demanding the inheritance that was left to him in his mother’s will, namely, fifty percent of the land on which the reclusive Nikitas is now living. At first, Nikitas ignores his son. But there is also a pany that is after the land; called simply “the monster” by the villagers, the firm wants to build a road here. To prevent the muddy ground from being pulled from under their feet, father and son have to dig deep into it. Together.Director Georgis Grigorakis sets his rain-drenched woodland Western against a majestic backdrop and finds robust yet tender images to tell this tale of rapprochement between two men. A story of resistance more powerful than the strongest excavator....